Sounds fun doesn’t it!
The Killing of Poe, Offbeat’s latest show, is playing a few venues locally and (if we’re honest) we’d quite like a few more. But, that aside, this has been quite a journey. When I start to write a play I never really know where it might lead. I begin (usually with some idea of the destination), but it always twists and turns and goes to places I didn’t realise were there. So, some of the play emerges as we rehearse, gradually revealing hidden layers and my trusting cast indulge the inevitable changes until we reach the conclusion (always a surprise). It’s a fascinating process, but it requires a certain amount of faith in the process. We always get there. Last year we created ‘The Ghost Hunters’, this year it’s ‘The Killing of Poe’. What is it with me and death, darkness and creepy stuff….
It’s a bit of a ‘spot the Poe story / poem’ throughout, but Act II is littered with ‘Poe deaths’.
So .. it’s dark. Dark, macabre, intriguing (I picked that up from the reviews) and with a certain amount of humour. I’m glad the audience laugh, otherwise my tragicomedy description on the flyer would look rather silly. I’ve used lots of black paint, a wonderful raven was created by Alison Stobart (company raven maker) and Hugh Farey created a ‘radio thing that looks like a coffin’. Why on earth I imagined this thing on the stage I may never know, but it worked. I liked it. It’s HUGE and commanding and jolly useful for all sorts of Poe-ish moments. Costumes are, well, interesting. You’d laugh if you saw us trying to get the ‘shroud’ dresses sorted in the interval. It’s like some bizarre maypole event with metres of muslin (bit of a spoiler there, sorry).
Anyway .. This is what the reviews have said so far ….
The Killing of Poe brings The Raven back to life!
It’s taken seeing someone else’s creative work to prompt me to post here after too long an absence… Last night I went to The Falcon Mews in Bromyard and saw ‘The Killing of Poe’ written by Barbara Hockley and performed by Offbeat Theatre.
From the moment I read the programme masquerading as ‘Helpful Notes’ I knew we were in for a witty treat. Despite only having a tiny performing space to work in, we were taken inside the vast space of the protagonist’s head – he’s a failing actor – and entertained while the voices within it assumed Shakespearean roles in order to keep the failing actor sane, and alive…
I recognise some of these stories in my own head, but you’ll have to book and see the show to discover them, or I’ll be in danger of sharing spoilers.
Armed with gloom and a raven, Hugh Farey, as a devilish Poe, is both beguiling and macabre. Mark Cox as the actor in whose head we find ourselves is utterly convincing and Ann Smith provides some delicious tongue lashings to anyone who crosses her.
There’s still a chance to see this brave and thought-provoking new play at St Richard’s School, Bromyard, on 16th and 17th February.
‘The Killing of Poe’ has many layers, unflinchingly looks at death and draws on rich metaphors. It has action, pace and its dialogue will have all lovers of ‘the bard’ rifling their brains to match phrases with different plays. Its potential for a professional company on a large thrust stage are endless and exciting… I can see it being a ‘must see’ at The National or the RSC’s Swan Theatre.
As a lover of metaphors it was always going to be a winner with me. Thanks Barbara and team for bringing it to life – or should that be to death?
Liz Darcy Jones from her blog lovingmetaphors.org
The famous ‘balloon moment’ – but is it Shakespeare or Poe?
Definitely go and see this play!
Voices inside the deteriorating mind of an actor parry words and swords as his career disintegrates into vaudeville.
But this work by Barbara Hockley has humour too, plus great quotes from Shakespeare and Poe, clever costume changes and a wild raven caw.
Original and thought-provoking. Our audience was intrigued.
Acting and directing reached Barbara’s usual high standard, so thanks cast and crew – we enjoyed ‘Poe’ and we’re sure your next audiences at St Richard’s will love it.
“While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door.”
Well, I didn’t take a nap as I was absorbed by the intriguing drama before me. Dark, complex, flashes of humour and professionally played. Boz commanding as ever and Mark Cox completely in character.
Go see – Embrace the darkness…..
Well done, Barbara Hockley – a really interesting piece of new work. Congratulations, cast and crew – intriguing and absorbing. Worth going to St Richard’s to see it, people!
A great night, brilliant actors, great script, receptive audience….. if you missed it still a chance to catch up at St Dix
I told you it was dark
If you thought a spot of darkness-with-comedy-shakespeare-and-poe might do well in your venue, we really would love to hear from you.