Archives For sound and music

The Wheelie Set

Barbara —  March 28, 2014 — Leave a comment
The whole set - everything else is on wheels!

The whole set – everything else is on wheels!

So you have a big cast and a play with LOADS of different locations – any one of which would be a challenge to stage. I directed Terry Pratchett’s ‘Wyrd Sisters’ a few years back and had just that scenario. I’ve said it before .. I will do anything to avoid a scene change. That moment when people dressed in black come on and remove things and/or add things just kills it for me. So we have ‘the blasted heath’, a road somewhere, a theatre, Nanny Ogg’s kitchen, a dungeon with instruments of torure, the throne room, a garden/wood and many other locations that are only required for an odd minute here and there. Of course you’re not going to build up each location and remove it afterwards – it would take all night. But how can you do it quickly, convincingly and creatively? Continue Reading…

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the set, costumes and a dash of lighting for 'After Juliet' by Sharman Macdonald. Rich colours and fabrics, different levels to act on, moody lights. Loved it!

The set, costumes and a dash of lighting for ‘After Juliet’ by Sharman Macdonald. Rich colours and fabrics, ‘punk- Elizabethan’ style costumes, a plaza, scaffolding towwers to create different levels, moody lights. Loved it!

Also in this series:
Offbeat Directing 1: The Vision Quest
Offbeat Directing 2: Understanding the Script
Offbeat Directing 3: Dreaming and Planning
Offbeat Directing 4: What Does the Director Do?
Offbeat Directing 5: Trial by Audition
Offbeat Directing 6: The First Awkward Read Through
Offbeat Directing 7a: Who Does What?
Offbeat Directing 7b: Early Rehearsals and Cunning Plans

‘What team?’ I hear you say. Quite so. Chances are it’s just you and your best friend. But let’s suppose for the sake of this post that you do have access to people who will design for you – or at least be instrumental in getting your designs on stage in some form. Part of my ‘visioning’ period (that’s the never-ending period) involves visualising the design of the show in every way conceivable – the set, props, lighting, sfx, sound, costumes, hair & make-up. So, as soon as you can get together with each member of your team and talk through what you want. Show them your diagrams, sketches, design boards, fabric samples – anything at all you have collected whilst dreaming away! Try and find a way to make your design ideas a reality. I tend to be of the opinion that if my designer says ‘it can’t be done’ then I’m probably talking to the wrong person (although I do compromise when I really, really have to). Continue Reading…

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